School of Music · ANU College of Arts and Social Sciences
This course, run in partnership with the School of Music and National Film and Sound Archive (NFSA), utilises both ANU School of Music facilities and specialist locations and equipment at the NFSA, to equip student with the theoretical and practical underpinning of audio preservation. Using the School of Music’s own tape archive of performances, recitals and events as source material, students will prepare these recordings as digital files for an open source, publicly accessible database. This course will introduce students to sound archiving, and explore the historical, philosophical and ethical implications of audio archiving, as well as preservation needs assessment and planning. Students will tour the NFSA , and the School of Music’s tape collection, and have the opportunity to gain hands-on, practical experience of equipment and processes such as analogue tape recorders and magnetic tape; tape machine technology and operation; the handling of tape, tape deterioration, maintenance and restoration techniques; the practicalities of digitisation: preparation, recording, software, editing, file creation, and metadata management and storage.
Sound Archiving Process Practical Examination
Learning outcomes 2, 4, 5
Log Book
Learning outcomes 2, 3, 4
Research Essay (2500 words)
Learning outcomes 1
130 hours of total student learning time made up from: a) 36 hours of contact over 12 weeks: a mixture of lectures, facility tours, workshops, seminars, practical demonstrations, practical tasks and review sessions; and b) 94 hours of independent student research, reading and writing. Work Integrated Learning Simulation/Virtual This course gives students real world experience handling archive material and using industry-standard tools and techniques, preparing them for a career as a sound archivist.
Provided via Wattle Preliminary Reading International Association of Sound and Audiovisual Archives: Technical Committee. Standards, Recommended Practices and Strategies. IASA-TC 04 Guidelines on the Production and Preservation of Digital Audio Objects. V2. 2009. International Association of Sound and Audiovisual Archives: Technical Committee. Standards, Recommended Practices and Strategies. IASA-TC 05 Handling and Storage of Audio and Video Carriers. V1. 2014. National Film and Sound Archive of Australia. Collection Policy. May 2011 Preserving the Facts for the Future: Principles and Practices for the Transfer of Analog Audio Documents into the Digital Domain. Dietrich, S. (2001) Journal of the Audio Engineering Society. 49, 7/8, 618-621. Sound Souvenirs: Audio Technologies, Memory and Cultural Practices. Bijsterveld, K. and van Dijck, J. 2009. Amsterdam: Amsterdam University Press.